"Georgia Fields dreams in fantastic Technicolor. Darkly-coded collisions of fairytale and myth...
Plain speaking love songs, swelling with strings... Irrepressible pop." ★★★★

– The Sydney Morning Herald


Brimming with an intoxicating melodicism, Georgia Fields’ vivid songcraft draws on influences as far-reaching as Greek mythology, lunar folklore and the succulent anatomy of citrus fruits, earning her a reputation as one of Melbourne's brightest indie-folk artists. Featuring an eclectic menagerie of sounds – from vintage casios and shimmering omnichords, to vocal loops and electric guitar – Fields' captivating solo show is "evocative" (Frankie Magazine) and "touched by a vividly-blooming magic" (The Autumn Roses, USA). 

Georgia Fields has been performing, producing and releasing original music for over a decade. Following the release of her celebrated 2007 debut EP Drama on the High Seas of Emotion (with each album cover lovingly hand-made from a vintage Little Golden Book), Fields assembled her 11-piece 'Mini-Indie-Orchestra', performed on national television for SBS’ RocKwiz, and continues to tour nationally. Her 2010 self-titled Georgia Fields LP was named Album of the Week for ABC Radio National and Beat Magazine. 2016's critically acclaimed Astral Debris album was featured on PBS FM and Triple R FM, Double J, and community radio across the country, being awarded four stars by The Sydney Morning Herald, and lauded in The Herald Sun newspaper as "her finest, most expansive work yet."

In winter 2017, Fields was awarded a grant from The Australia Council to embark on a national co-headline tour with live-looping wunderkind Phia. Their Sky and Sea Tour saw the two unique artists lend their distinctive sound to each other's material in a one-off, fully-collaborative live show – accompanying one another on everything from kalimba to casio, electric guitar to tambourine, at 20+ shows across the country. 

Fields wrapped tour and headed straight into the studio. Her latest offering Afloat, Adrift (2017) was recorded live at Newmarket Studios with The Andromeda String Quartet. Raw and visceral, yet sweeping with an old-world romance, Afloat, Adrift features new string quartet versions of material spanning her 10-year career. Frankie Magazine premiered the release, proclaiming "Georgia Fields [has] a voice that you simply cannot unhear”.

As a string arranger, Fields has composed orchestral accompaniment for many esteemed Australian artists, including triple j darling Olympia, ARIA-award winning vocalist Anthony Callea, and country-soul goddess Suzannah Espie. In 2016 Fields made her debut as film composer with her first original score for feature-length documentary Winter at Westbeth (dir. Rohan Spong; Unicorn Films). 

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Georgia Fields dreams in fantastic Technicolor. Darkly-coded collisions of fairytale and myth... Plain speaking love songs, swelling with strings to make George Martin weep... Irrepressible pop. ★★★★
— The Sydney Morning Herald
Fields’ new album ‘Astral Debris’ is her finest, most expansive work yet.
— The Herald Sun
Georgia Fields is a Melbourne-based muso with a voice that you simply cannot unhear... The evocative songstress paints entire worlds with her tunes.
— Frankie Magazine
Intelligent, seductive and touched delicately by a gracefully- and vividly-blooming magic.
— The Autumn Roses, US music blog
The arrival of a truly marked talent.
— The Music Magazine
Australia has produced yet another great singer/songwriter in Georgia Fields ... Fields is one to watch.
— JMag, Australia
Fields has got one of those voices that just rings true. Once you’re hooked, you never get the feeling she is just making up this stuff – affairs of the heart, mainly – just for dramatic effect… Even as you sing along, charmed.
— The Courier Mail, Brisbane
There is something wonderfully experimental about the way in which Georgia and her musical cohorts jettison a song into the creative stratosphere.
— Beat Magazine
The land of the whimsical and indie-orchestral quirk is where Melbourne artist, Georgia Fields, resides… It’s in poised vocal and muscular percussion where Fields is in her element – when she’s off the leash yet achieving the balance of melancholy.
— Rhythms Magazine, Australia